▽Senses of Cinema ●11/24 07:58 Invested in Expression or in Its Destruction?: The Politics of Space and Representation in Chantal Akerman’s CinemaSeptember 2012Feature ArticlesThe Unbearable Object of Liminality: A Conversation with Zheng Lu XinyuanJuly 2020Friedrich, SuDecember 2002Cage, NicolasJanuary 2022Taylor, ElizabethGabrielle StecherNovember 2023“Rouch Isn’t Here, He Has Left”: A Report on Building Bridges:
▽Guardian Unlimited Film ●11/24 07:18 Glicked double bill may not match Barbenheimer buzz, experts say10h ago……comments10h agoLayla review – Amrou Al-Kadhi’s queer club romance is a sparkling, sensual spectacle7h agoLook out kid: ecstatic reactions to Bob Dylan biopic mean Timoth〓e Chalamet may break Oscars recordWitches review – impressive study of postpartum psychosis recovery equated to witchcraftGlicked double bill may n
▽Movie news, Oscars, Golden Globes, Nomiees, Winners, and Entertainment News - The Envelope.com ●11/24 05:18 ‘Flow,’ a story that hinges on a cat’s taleNov. 19, 2024Why Kerry Condon connected with the sadness and desire to leave in her ‘Banshees’ roleNov. 8, 2022‘Spencer’ costumes evoke Princess Diana without duplicating her lookDec. 14, 2021Saoirse Ronan’s two new films are worlds apart. Their costumes? Not so muchNov. 12, 2024
▽A. O. Scott - The New York Times ●11/24 00:41 Critic’s NotebookThe Supervillain Is the Hero NowHow Americans learned to root for the dark side — from the Joker and “Wicked” to Elon Musk.By A.O. Scott
